Collection: Penrith Gallery

His theory that 'the history of mankind could be written with objects', was first expressed in his early collage pictures using fragments of advertisements and other parts of journals and newspapers. He later created sculpture from industrial debris.

The noted critic E. C. Goossen, draws upon many conversations with Kelly to trace the artist's development from the formative years of Boston Museum School through the wartime experiences and then on to the six year stay in Paris.....

Elwyn Lynn was a powerful presence in Australia's art world for nearly five decades, as an art critic, curator, painter and editor. This is a catalogue of an exhibition of his work held at the Nolan Gallery, Tharwa, ACT, 11 October to 14 December, 2003.

Lynn pursued his artistic interest in surface texture as an expression of metaphorical experience. This retrospective both appreciates and evaluates the important place his painting has occupied over a period of thirty-five years.

The encyclopedia of Australian boxers was compiled not only to recognise the Australian and World champions, but to give mention to the many prelim fighters that, until now, have not had the recognition they deserve.

In the East the erotic is both a cardinal image in religious symbolism and a powerful inspiration to the imagination of poets and artists. Includes the most significant and beautiful works of erotic art in India, the Islamic countries, China and Japan.

A book created from a special issue of ART and Australia, published in September 1992, which explored eroticism and sexual imagery in Australian art. It provides an historical account of the subject and artists well-known for their work in this area.

A catalogue of an exhibition held at Macquarie University Art Gallery, Sydney, NSW 21 October - 28 November 2002. Davis's sculptures in stainless steel, metal and bronze use technical innovation to represent the environment.

Broad survey of Eskimo sculpture that examines how the structure of Eskimo life influences art. Discusses prehistoric, historic and contemporary Eskimo sculpture from Alaska, Canada and Greenland.

Catalogue of two exhibitions held at Serpentine Gallery, London, 13 March-25 April 1982 and Institute of Contemporary Arts, 24 March-25 April 1982. Both exhibitions co-ordinated and catalogue assembled by Vivienne Binns and Nancy Underhill.